Friday, April 19, 2013

Special Anniversary Celebration!

Everyone's Story, a blog dedicated to lifting the spirits of readers, writers, and all those in-between, celebrates its 2nd Anniversary on April 19th. God, in His Wisdom and Love has blessed me personally through this blog with friendships and connections, and grace in sharing encouragement about all things in life, whether writing, reading, or daily struggles. I thank all of my weekly guests and viewers from over 125 countries that have helped to make this huge world much smaller and more humane. I pray for each one of you blessings, health, and peace.


For Fun: A Little Contest!
One randomly chosen commenter will win the T-Shirt "Writing Is Not For Sissies" and one randomly chosen commenter will win an Amazon Gift Card of $10.00.

--To enter the contest once, please leave a comment below and also include which prize you'd like to receive (the T-shirt or gift card), as well as your contact information. One winner will be chosen to win each prize.
--To have your name entered twice, also leave a comment (and contact information) for this week's new blog guest, Morgan L. Busse, on her segment here.
--The winners will be announced here, as well as privately contacted, on April 26th, between 4-6 PM EST.


Choose From Either this T-Shirt





OR

A $10 Amazon Gift Card




Friday, April 12, 2013

Karl A.Bacon: Glorifying God By Honoring History

Everyone's Story welcomes author Karl A. Bacon. I had the pleasure of meeting with him over lunch at an ACFW Conference and discovering Karl to be a warm and kind-hearted soul, and of course, an enthusiast of the Civil War. 2013 is the 150th anniversary of both the American Civil War's most bloody battle and President Lincoln's Gettysburg Address--a perfect time for Karl's guest appearance. Yet, Karl didn't set out to become a writer and he shares this below (thankfully, he did become a fine author of American history!). Plus, Karl has answered a few questions. Also, he's offering AN EYE FOR GLORY in a Giveaway. He's looking forward to hearing from you.



Book Giveaway:
Karl is offering 1 copy of his novel, AN EYE FOR GLORY, (which was a Finalist in the 2012 Christy Awards for First Novel) to 1 randomly chosen commenter. The winner will be announced between 4-6 PM EST on April 19th. Please leave your email address within the body of the comment. Thanks.

You can read a blurb on the novel here.
 


How God Took A Non-writer And Turned Him Into A Writer

by Karl A. Bacon

I was not born to be a writer. Rather, it was something that I took to most reluctantly. Other than one or two required writing courses in college, I was never schooled as a writer. To me writing was just about the least favorite avocation imaginable. However, I did possess a decent vocabulary, good grammatical skills and the ability to explain things in a logical manner, all of which served me well in writing several technical manuals during the years I worked in manufacturing.

The seed for An Eye for Glory was purchased during a business trip during the spring of 1998, in a used bookstore at Mitchell Airport in Milwaukee. While browsing through the history section, I discovered a hardcover copy of Infantryman Petit: The Civil War Letters of Corporal Frederick Petit in good condition. Petit was a young Christian soldier from western Pennsylvania who served in the 100th Pennsylvania Volunteer Infantry Regiment. During the Civil War, it is true that brother sometimes fought against brother, but as I read the letters Corporal Pettit wrote to his family and friends, it struck me that more often it was Christian brothers who were fighting one another, each trying his best to kill the other, and each fully convinced of the righteousness of his cause.

There was a story to tell and I wanted to tell it. But how? Other than one or two required writing courses in college, I was never formally trained as a writer. I prayed over the work, many times, that God would show me the way. Then I set three objectives for whatever I wrote. First, it must honor the name of Christ. Second, it must honor the men who fought in that war, both Union and Confederate. Third, it must be the finest work of literature this non-writer could write. I was well aware of my own unworthiness for the task at hand, but I pressed on. As I was writing An Eye for Glory, I was also studying the craft of writing, and the more I learned, the more rewriting I saw was needed.

The first draft of An Eye for Glory was finished in June, 2008, but as a first-time writer, I had no idea what to do with it. I prayed, "Lord, I finished it as I believe you wanted me to. Now what do you want me to do with it?" Within a few days I found the American Christian Fiction Writers website, became a member, and signed up for their annual conference in September. At the conference I was able to schedule an interview with an editor from Zondervan. I had never pitched my novel before, and never drawn up a proposal, but the editor liked my story and my proposal, and less than two months after the conference Zondervan committed to publishing it. Some would call this beginner’s luck, but I believe it was the gracious providence of God. 

Questions for Karl:
I'd think your background of manufacturing/business might lend itself to a technological and scientific perspective. If so, did this help you in researching the complexities of the Civil War for your novel?

Yes, sometimes it did help. I particularly enjoyed the research into the railroads that were in use during the Civil War. But there was a down side as well. I tended to get so caught up in the cool stuff I was learning, that I had to continually remind myself that my purpose was to add depth and realism to my story and not become an expert in nineteenth century railroading.

My engineering background really came into play in the rewrite process. When I set out to write An Eye for Glory, I did not set out to write a novel. In fact, I had never written anything longer than ten or twenty pages, so I didn't consider a full length novel to be within the realm of possibility. I simply began to write a story and see what became of it. That was in 1998. Ten years later I had 150,000 words, and very shortly learned that was way too long for a debut novel. It would need to be cut to about 100,000 words.
    
I decided a cold, objective, engineering approach would be a good start, so I developed a spreadsheet. I dissected my novel scene by scene, rated each scene from 1 to 5 for emotion, tension, character development, and importance to story. Scenes with low overall scores were cut, or greatly edited. Many fine (in my humble opinion) words never made it to print, but the process worked and my story was better because of it. 

In what ways can a reader of contemporary fiction appreciate AN EYE FOR GLORY?

In history as in all of life “there is nothing new under the sun.” The American Civil War with its Christian versus Christian savagery simply serves as the context for the story I needed to tell. But the historical context is secondary to the progression of the main character, Michael Palmer. Who is this man with half-hidden face on the book cover? He could be anyone. He could be you or me. In An Eye for Glory, Michael's ultimate struggle is not for physical survival, because we know from the outset that he is writing his story twenty years later for his children. His struggle is not against a flesh and blood enemy, but against his own doubts and fears, against his own heart, and sometimes even against God. This internal fight has always been, and always will be, part of every Christian's walk of faith. 

Although you've put countless hours into working on AN EYE FOR GLORY, studying history and visiting historic sites, did you ever let the fiction loose and have fun with the creative process? Any tips on how to do so for the research purist?

One reason it took so long to complete the book is that I couldn't just sit down and start writing where I had left off. After a time away from the writing, it took time to return to that time and place, to “get into character” as it were. I think many writers will know what I mean when I say that there were times during the writing of this novel that I became Michael Palmer and I allowed him direct the creative process. One of those was during the Battle of Gettysburg, where Michael finally gets to shoot it out with the enemy. I wrote that scene from start to finish in one sitting, imagining every little detail of what he was feeling, and letting his actions and emotions drive the words on the page. I can assure you this was not what I consider having fun, but it was most rewarding, and the  resulting powerful scene still brings tears to my eyes.

So here's my advice for the research purist. Treasure the history and honor the men and women who lived and died making that history. Your story has to ring true in every aspect. Your fictional character's story has to appear natural and be seamlessly integrated into that history. It is indeed high praise to be asked if your character is based on a real person. The history has to be real because your reader may know the history better than you. Finally, the closer you are to your character, the more believable your character will be, and your readers will remember him or her for a long, long time. I consider Michael Palmer a close personal friend, for in his story I learned much and lived much, even though we've never met, except in my imagination. 

Is there another time period that you'd like to visit in your writing, and why?

I have not seriously considered writing about a different time, because the Civil War period still fascinates me. There is so much history to draw story from, so much first-person content widely available, with more being discovered all the time. And so I am currently working on a Civil War trilogy. The setting is entirely in the South, and although the story line and settings are very different from An Eye for Glory, the fascination remains.  

Karl's Ah-hahs To Tweet:


“…doubts and fears…has always been, and always will be, part of every Christian's walk of faith.” (Tweet This)


“Your story has to ring true in every aspect.” (Tweet This)

“…the closer you are to your character, the more believable your character will be…” (Tweet This)


Author Bio:

Karl Bacon grew up in the small picturesque town of Woodbury, Connecticut, and now lives in Naugatuck, Connecticut with his wife of thirty-five years, Jackie. After graduating from Wilkes University in Wilkes-Barre, Pennsylvania, he returned to Connecticut and found employment in manufacturing. "Just a job" turned into a professional career, much of which was spent working for a Swiss machine tool company. In 2000 he started his own business to provide services to manufacturing clients across the USA. This change also allowed time to develop his writing craft.

From youth Karl has been a serious student of the Civil War. The draft of An Eye for Glory took ten years from conception to completion. Thousands of hours were spent researching every detail, through copious reading, internet research and personal visits to each of the battlefields, so the novel might be as historically accurate and believable as possible.

An Eye for Glory was named a Top Inspirational Fiction Pick for Spring/Summer 2011 by Publishers Weekly. It was also a 2012 Christy Award Finalist for First Novel.

You Can Find Karl At:
Website
Blog
Twitter
Facebook


Friday, April 5, 2013

Erin Healy: Enjoying The Gifts Of Others

Everyone's Story welcomes author and editor Erin Healy. I became familiar with Erin by reading her novels, and thus became aware that she was also an editor, one that has worked with some pretty amazing authors! But I have come to admire her even more by her candid and heartfelt essay that she shares below, something I believe that writers, readers, and just about everyone can relate to. Plus, there's a short interview. And, Erin is offering a Giveaway of her upcoming release, AFLAOT, a fascinating twist to a survival story. Erin looks forward to seeing your comments.


Book Giveaway:
Erin is offering 1 copy of her upcoming release of AFLOAT (the winner can choose to wait for the May release or an Advanced Reader's Copy) to 1 randomly chosen commenter. The winner will be announced between 4-6 PM EST on April 12th. Please leave your email address within the body of the comment. Thanks.
Click here to read an excerpt of AFLOAT.



Feel the Thrill of Someone Else’s Success by Erin Healy

A few weeks ago I was reading a novel that I had to set aside for a while. I just couldn’t keep reading it. Maybe this has happened to you. You turn your back on a book because the subject matter is dark, or you don’t want to spend time with the characters, or it’s poorly written, or you just can’t get into it.

I wish I could say that was why I couldn’t keep going this time. But no. My excuse falls into a far more primitive category. I was jealous.

I envied the writer’s impressive talent, the epic concept, the richness and depth of the story, which—wouldn’t you know—kept reducing me to a tear-soaked, snotty mess of spiritual yearning. I admired the artistry, this lovely turn of phrase and that surprising way of seeing. I felt a bit green when I saw the well-deserved accolades and endorsements and media attention.

How could such a spectacular book bring out such an ugly side of me?

I correspond regularly with a friend who is a musician and a children’s book illustrator. She lives thousands of miles away, but she has known me since I was a child, which means she knows me so well that she might as well live in my house. In recommending this book to her (even before I had finished reading it), I told her how envious I felt. The author had accomplished more than I could dream to with my own work. My friend wrote back:

“Me thinks all artists self-examine too closely, compare too often, and resultantly, are sad. Mistake! Enjoy your gift! Enjoy that author’s! Enjoy mine! As we all enjoy each other's gifts, well, would it be silly to say that—dare I say it?—pleasure happens.”

Of course it does! And with that thought in mind, I was able to finish a magnificent book, tell the author how much I sincerely loved it, and purchase an extra copy to give away. (Why am I not naming the title here? Because I don’t want the point of this post to be about whether the book is really a great novel, but whether you’ve ever let jealousy get in the way of the sheer pleasure of someone else’s art. Please tell me I’m not the only one!)

Whether you’re a writer or an artist of another color, fear and insecurity come with the territory. I’ve seen it in my years as a writer; I’ve seen it in my decades as an editor. “If making art gives substance to your sense of self,” write Bayles and Orlund in their (also excellent) book Art and Fear, “the corresponding fear is that you’re not up to the task—that you can’t do it, or can’t do it well, or can’t do it again; or that you’re not a real artist, or not a good artist, or have no talent, or have nothing to say.”

We artists crave affirmation for our work. Sometimes we get it. Sometimes we don’t. But when fear is our prevailing emotion we are at our most vulnerable. I believe this is true to the point that when someone else receives what we want, we might (as I did) perceive their success as our failure. Why else would we begrudge them their success?

This experience returned me to Philippians 2, which I hadn’t read for a while. While in search of a familiar verse (#3), I came to one I’d forgotten but now read with new eyes (#4):



“Do nothing out of selfish ambition or vain conceit, but in humility consider others better than yourselves. Each of you should look not only to your own interests, but also to the interests of others.”


We artists are in a unique position to encourage other artists. Who else knows better about the fear, the hope, the vulnerability of making art? The moment I stopped reading the aforementioned novel as a rival that shamed my own work, something wonderful happened: I was able to become a colleague instead of a selfish dork. It became very important to me to tell the author exactly how the book had moved me. I wanted to give the author the very thing I hoped for—praise, encouragement, and gratitude. I wanted to give the author courage to go out and do it again and again and again. Because wow, the world will be a better place with more books like that one in it.

And as if the benefit were all mine, my own artistic fears faded with my envy, and I had a thoroughly fantastic time reading a fabulous book. For a moment I was granted a reborn thrill of reading and writing that’s so hard to come by when it’s a profession rather than a pastime.

If you can, tell your fears to hush up for a bit so you can listen to what other artists are telling you through their work. And may you take great pleasure in the sharing.

Three Questions for Erin:
You write "supernatural suspense novels from a Christian worldview." What should a reader picking up one of your novels for the first time expect to find?

All of my stories use high-stakes supernatural elements to explore the ways God works in us and through us. Every once in a while I have to explain that my stories are metaphors rather than literal interpretations of life. For example, Afloat is a supernatural-disaster story that challenges the notion of what it means to survive catastrophe not just physically, but spiritually as well. So a reader can expect some out-of-the-box weirdness that might not appear to be Christian on the surface—some of the tales are more covert than others—but if one engages in reading between the lines, the messages should stand up to sound biblical doctrine.

As an editor, are you your own best friend or worst enemy when it comes to writing your first draft?

The editor’s side of my brain is my best friend when it comes to writing all the drafts after my first. That particular skill set has taken all the fear out of revisions. To be sure, I prefer revising to filling a blank page. It’s easier to tinker or slash-and-burn than to create something out of nothing. But when it comes to the first draft, Editor Erin is pretty easy to relegate to the corner. “Just be quiet,” I tell her. “I haven’t written anything you’re allowed to comment on yet.”

Do you have any amusing stories to share on your path to publication that may encourage writers?

My path to my editorial career (and subsequently, to publication) began at a writers conference that a friend sent me to while I was in college. I attended after an invasive surgery that left my face extremely swollen. I was still in braces. Between the two things, drooling and spitting was an occasional problem. I scheduled one appointment with an editor thinking I would have him read this cathartic journal entry I had written (I thought of it as a “short story”) about a recent breakup with my boyfriend. It is possibly the worst thing I have ever written. And did I mention this editor was acquiring nonfiction material about parenting? I think I picked him because he was the only one with an available slot.

By the grace of God the editor was running late and didn’t have time to read my dreck. So instead of talking about that I decided I would ask him about careers in the field. I managed not to spit when I spoke. He gave me some leads that I followed up on, we stayed in touch, and a year later he invited me to apply to an entry-level position in his company.

To this day I believe that if he had read that disastrous piece I would be in a different, far less fulfilling career. So, by way of encouragement: Sometimes missed opportunities are, in fact, quite the opposite.

Erin's Ah-hahs To Tweet:

“Whether you’re a writer or an artist of another color, fear and insecurity come with the territory.” (Click To Tweet)

“We artists are in a unique position to encourage other artists.” (Click To Tweet)

“…tell your fears to hush up for a bit so you can listen to what other artists are telling you…” (Click To Tweet)




Author Bio:
Erin Healy is an award-winning fiction editor who has worked with talented novelists. With began working with author Ted Dekker in 2002 and edited twelve of his heart-pounding stories before their collaboration on Kiss, the first novel to seat her on “the other side of the desk.” Erin is the owner of WordWright Editorial Services, a consulting firm specializing in fiction book development. She is a member of the American Christian Fiction Writers and the Academy of Christian Editors. She lives with her family in Colorado.

You can connect with Erin at:


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